The One | The Story Behind the Songs
For my EP The One, I wrote songs for the first time in my life.
Let me say, first of all, it was heartbreaking work. Exploring my story’s themes of childhood abuse and poverty, I often spilled out, along with words, tears.
NO SAFE PLACE
The first song I wrote was No Safe Place. As I began to write about growing up in North Miami, in a yellow house saturated with darkness, my mind began to flashback to my stepfather
-- Chasing our family, round and round the house, with a spear gun
-- Dragging me by the hair on our gravel driveway, bouncing me up the front steps of my home
-- Whispering to me, during bedtime: Don’t go to sleep tonight, you will wake up dead
-- Dunking repeatedly my six-year-old brother’s head in a toilet filled with excrement
In one vivid flashback, I saw myself as the eldest child, head on a pillow hiding a knife, charged with our survival, listening to music from a boombox deep into another night.
No Safe Place begins:
Young, alone and captive
In a place that saw no sun
Held my breath in every moment
Forced to hold my tongue
In looking back, what hollowed me was not so much my stepfather’s violence, but the belief that such diabolical abuse was the norm. In my childhood world, nothing was right or wrong.
The agony of songwriting empowered a redemptive catharsis. The song ends with the sound of a door closing, the haunting of the dark yellow house finally behind me.
I believe it might feel like waking up after being hypnotized.
STAND UP
Stand Up is the sequel to No Safe Place. Looking back at my childhood, I saw myself stretched out on the back window of our old Cadillac.
Light blue, the Cadillac had the power to transport us from
-- the shadows of hell home to a bright opal beach
-- a poverty of love to a horizon of endless beauty
— from the reality of abuse to Islamorada in the Florida Keys, Snorkeling till sunset
The old Cadillac took us to the places we lived for. Always streaming from the speakers was the music we shared and loved --
Signed Sealed Delivered
Band on the Run
Aja
Bohemian Rhapsody
Tell Me Something Good
-- keeping us alive.
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Stand Up is what I say to the little girl, staring at the stars, laying on the back window of the Cadillac parked beside the yellow house.
I’d tell myself- Hold on little girl
Things are gonna get rough
The time will come for your day in the sun
You’ll say enough’s enough
For the chorus, I recruited my family, so many fellow musicians familiar with suffering. In the recording, the joy we experienced singing together was far greater than the pain we will always share.
BACK TO THE ONE
Focused on encounters that helped me see the power of empathy, I wrote Back to the One as a recovery of the universal truth of the power of love.
And it all comes down to love
Gotta bring it back to the One
Cause it’s what we’re all made of
Gotta bring it back to the One
In the song, I tell three stories from my experience --
Watching Haitian refugees arrive on Miami Beach when I was 14
Treating a beaten and bloodied cross-dresser in my job as a nurse
Giving a few dollars to a mother trapped in poverty
-- that transformed my perspective on suffering.
As human beings, we share this broken planet together. Empathy connects us — back to the power of redemption, back to the one.
WHAT YOU WON’T DO FOR LOVE
The EP also includes a cover of Bobby Caldwell’s What You Won’t Do for Love:
Jazzy breezy R&B, the silky warm feel of sun on skin, the song playing on the radio of an old Cadillac bent on escaping to a Miami beach.